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home·artworks·Portrait of Jan Govertsen Van Der Aer
Portrait of Jan Govertsen Van Der Aer by Hendrick Goltzius

plate no. 2914

Portrait of Jan Govertsen Van Der Aer

Hendrick Goltzius, 1603

canvas, oilMannerism (Late Renaissance)portraitportraitfigureseashellstablechairclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the subtle gradations of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the chair, the table, and the shells.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up layers of color.

  3. step 03

    Block in the basic skin tones, paying attention to the highlights and shadows on the face and hands.

  4. step 04

    Start refining the details of the face, including the eyes, nose, and mouth, using small, precise brushstrokes.

  5. step 05

    Work on the clothing, focusing on the folds and drapery, and the subtle variations in tone.

  6. step 06

    Paint the chair, capturing its texture and form with careful attention to light and shadow.

  7. step 07

    Render the seashells with detail, paying attention to their unique shapes, colors, and textures.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · viridian · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna; create darks by blending ivory black and raw umber with small amounts of blue or green.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 4-8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value range.

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