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home·artworks·Portrait of Jacopo Biliverti
Portrait of Jacopo Biliverti by Hans von Aachen

plate no. 1192

Portrait of Jacopo Biliverti

Hans von Aachen, 1585

oilMannerism (Late Renaissance)portraitportraitmanruffclothingfacedark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and creating a sense of depth through subtle value changes. It also offers practice in painting complex textures like the ruffled collar.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and ruff.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of the face with mid-tones, paying attention to the light source.

  4. step 04

    Begin layering and blending skin tones, gradually building up highlights and shadows.

  5. step 05

    Paint the ruff, focusing on the folds and shadows to create a three-dimensional effect.

  6. step 06

    Add details to the clothing, using subtle variations in value to suggest texture.

  7. step 07

    Refine the facial features, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create a deep, rich black for the background and clothing.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·blending
  • ·layering
  • ·value control

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to create enough contrast between the highlights and shadows.
  • →Making the ruff look too flat or two-dimensional.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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