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home·artworks·Portrait of Jack Rolling
Portrait of Jack Rolling by Henry Scott Tuke

plate no. 1863

Portrait of Jack Rolling

Henry Scott Tuke

oilImpressionismportraitfigureboatwatercityscapesailclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and skin tones, as well as understanding how to suggest detail with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the boat.

  2. step 02

    Establish the background cityscape with broad strokes of muted greens, blues, and grays.

  3. step 03

    Block in the main shapes of the figure, using dark tones for the jacket and lighter tones for the pants.

  4. step 04

    Begin refining the figure's face, paying attention to the subtle variations in skin tone and the placement of features.

  5. step 05

    Add details to the boat and rigging, using thin lines and small dabs of paint.

  6. step 06

    Develop the folds and textures of the clothing, using broken brushstrokes and subtle value changes.

  7. step 07

    Refine the highlights and shadows throughout the painting, adding depth and dimension.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and expressive portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · cerulean blue · yellow ochre · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of cadmium red light to warm up skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·portraiture
  • ·implied detail

common pitfalls

  • →Overworking the details, losing the freshness and spontaneity of the brushwork.
  • →Failing to capture the likeness of the figure.
  • →Creating muddy or dull colors by overmixing.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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