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home·artworks·Portrait of Isabella McLeod, Mrs. James Gregory
Portrait of Isabella McLeod, Mrs. James Gregory by Henry Raeburn

plate no. 2337

Portrait of Isabella McLeod, Mrs. James Gregory

Henry Raeburn, 1798

oil, canvasRomanticismportraitportraitfiguredressheadscarfwomanbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in subtle color mixing and blending to create soft transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of neutral color.

  3. step 03

    Block in the background color, gradually building up depth and tone.

  4. step 04

    Begin painting the skin tones, focusing on accurate color mixing and smooth blending.

  5. step 05

    Work on the dress, paying attention to the folds and highlights.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Refine the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. The dress is primarily white with subtle variations created by adding small amounts of raw umber and yellow ochre.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect proportions in the initial sketch
  • →Overblending, resulting in a flat appearance
  • →Inaccurate skin tone mixing
  • →Neglecting subtle value changes in the dress

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, raw umber, burnt sienna, ivory black, ultramarine blue, yellow ochre, cadmium red light)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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