
plate no. 2337
Henry Raeburn, 1798
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in subtle color mixing and blending to create soft transitions.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas with a thin wash of neutral color.
Block in the background color, gradually building up depth and tone.
Begin painting the skin tones, focusing on accurate color mixing and smooth blending.
Work on the dress, paying attention to the folds and highlights.
Add details to the face, including the eyes, nose, and mouth.
Refine the overall composition and make any necessary adjustments.
Add final highlights and shadows to create a sense of depth and realism.
color palette
primary · titanium white · raw umber · burnt sienna · ivory black
secondary · ultramarine blue · yellow ochre · cadmium red light
Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. The dress is primarily white with subtle variations created by adding small amounts of raw umber and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke