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home·artworks·Portrait of Hugo Treffner
Portrait of Hugo Treffner by Johann Koler

plate no. 4199

Portrait of Hugo Treffner

Johann Koler, 1886

oilRomanticismportraitportraitmanbeardclothingfigureformal wear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating subtle value gradations and depicting textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head and shoulders.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background, using thin washes.

  3. step 03

    Establish the light and shadow patterns on the face and clothing, gradually building up the values.

  4. step 04

    Refine the facial features, focusing on capturing the likeness of the subject.

  5. step 05

    Add details to the hair, beard, and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Blend the edges of the forms to create a smooth, realistic effect.

  7. step 07

    Add highlights and reflections to the skin and clothing to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors, values, and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium red light · yellow ochre

Mix skin tones by blending burnt umber, raw sienna, titanium white, and a touch of cadmium red light. Use ivory black and burnt umber for the dark clothing, adding small amounts of white for highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong
  • →Oversimplifying the values
  • →Using colors that are too saturated
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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