apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Harriet, Viscountess Duncannon with Her Sons
Portrait of Harriet, Viscountess Duncannon with Her Sons by John Hoppner

plate no. 6200

Portrait of Harriet, Viscountess Duncannon with Her Sons

John Hoppner, 1787

oilRomanticismportraitfiguresportraitmotherchildrendraperyinterior
some experience helpful

Recreating this painting will allow students to practice portraiture, including capturing likeness and skin tones, as well as rendering fabrics and textures with subtle color variations. Students can also practice creating a sense of depth and atmosphere through soft blending and careful attention to light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and compositional elements, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall tone and atmosphere.

  3. step 03

    Block in the main shapes of the figures, using simplified color mixtures to represent the basic skin tones and clothing.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in color and value that create form and expression.

  5. step 05

    Develop the details of the clothing and drapery, using a variety of brushstrokes to suggest texture and movement.

  6. step 06

    Add highlights and shadows to create depth and dimension, focusing on the areas where light is most intense and where shadows are deepest.

  7. step 07

    Refine the edges of the figures and objects, softening or sharpening them as needed to create a sense of atmosphere and depth.

  8. step 08

    Add final details and adjustments to complete the painting, ensuring that all elements work together to create a cohesive and harmonious whole.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of ultramarine blue or raw umber to create shadows. Use white and ultramarine blue for the cooler tones in the clothing and background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Muddying the colors by over-mixing
  • →Ignoring the subtle variations in skin tone
  • →Failing to create a sense of depth and atmosphere

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke