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home·artworks·Portrait of Guidobaldo da Montefeltro, Duke of Urbino
Portrait of Guidobaldo da Montefeltro, Duke of Urbino by Raphael

plate no. 8090

Portrait of Guidobaldo da Montefeltro, Duke of Urbino

Raphael, 1506

oil, panelHigh Renaissanceportraitportraitfigurelandscapeskyclothinghat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value transitions for realistic skin tones. It also offers practice in rendering clothing and background landscapes with depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Block in the background landscape with broad strokes, establishing the horizon line and main features.

  3. step 03

    Establish the main value ranges for the skin tones, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, including the texture and folds.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background landscape, adding details and atmospheric perspective.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix various shades of brown and gray by combining black, umber, and white. Use small amounts of yellow ochre and burnt sienna to add warmth to the skin tones. Create atmospheric perspective in the landscape by lightening and desaturating colors as they recede into the distance.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy skin tones
  • →Flat or lifeless clothing
  • →Lack of depth in the background landscape

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a smooth canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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