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home·artworks·Portrait of Giuseppe Roberti
Portrait of Giuseppe Roberti by Francesco Hayez

plate no. 2174

Portrait of Giuseppe Roberti

Francesco Hayez, 1819

oil, canvasRomanticismportraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color mixing for skin tones. It also provides practice in rendering textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and angles of the head and shoulders.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing.

  3. step 03

    Start refining the skin tones, using subtle color variations to create form and depth.

  4. step 04

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Work on the hair, using short, directional brushstrokes to create texture and volume.

  6. step 06

    Refine the clothing, paying attention to the folds and shadows.

  7. step 07

    Add highlights to the face, hair, and clothing to create a sense of light and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Mix skin tones by blending white, sienna, umber, and a touch of red. Use black and umber for dark areas of clothing and hair. Mix white with a touch of yellow ochre for the shirt.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overmixing the skin tones, resulting in a flat, lifeless appearance.
  • →Using too much black, making the painting look muddy.
  • →Ignoring the subtle color variations in the face.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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