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home·artworks·Portrait of Giulio De' Medici, Pope Clement VII
Portrait of Giulio De' Medici, Pope Clement VII by Sebastiano del Piombo

plate no. 5854

Portrait of Giulio De' Medici, Pope Clement VII

Sebastiano del Piombo, 1530

oilMannerism (Late Renaissance)portraitportraitmanrobehistorical figurebeard
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering fabric folds. It also provides practice in achieving subtle value gradations to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, head, and robe.

  2. step 02

    Establish the background with a thin wash of warm brown tones.

  3. step 03

    Block in the main areas of color for the face, robe, and cap, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the folds and drapery of the robe, using darker values to create depth and dimension.

  6. step 06

    Add details to the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Refine the background, adding subtle variations in color and value.

  8. step 08

    Add final highlights and details to the face and robe to complete the painting.

color palette

primary · cadmium red · raw umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of red by adding white for highlights and raw umber for shadows. Use yellow ochre and raw umber to create the warm tones of the skin and background. Add small amounts of ivory black to darken shadows.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth and volume.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Apply two coats of gesso to the canvas before painting.

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