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home·artworks·Portrait of Girolamo Savonarola
Portrait of Girolamo Savonarola by Fra Bartolomeo

plate no. 5790

Portrait of Girolamo Savonarola

Fra Bartolomeo, 1498

oil, panelHigh Renaissanceportraitportraitfiguremanrobehoodreligious figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating subtle gradations of light and shadow. It also provides practice in capturing the likeness and character of a subject.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's outline and main features, paying attention to proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the basic skin tones on the face, using thin washes of color.

  4. step 04

    Begin to build up the shadows and highlights on the face, blending carefully to create smooth transitions.

  5. step 05

    Paint the robe, focusing on the folds and drapery.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth.

  7. step 07

    Refine the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and raw umber to the skin tone mixture. The robe is primarily ivory black with subtle variations created by adding small amounts of raw umber or burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Creating harsh lines or edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving smooth blending.

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