
plate no. 5790
Fra Bartolomeo, 1498
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and creating subtle gradations of light and shadow. It also provides practice in capturing the likeness and character of a subject.
technical profile
approach — 8 steps
Create a light sketch of the figure's outline and main features, paying attention to proportions.
Block in the background with a dark, neutral color.
Establish the basic skin tones on the face, using thin washes of color.
Begin to build up the shadows and highlights on the face, blending carefully to create smooth transitions.
Paint the robe, focusing on the folds and drapery.
Add details to the face, such as the eyes, nose, and mouth.
Refine the overall composition and make any necessary adjustments.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · raw umber · burnt umber · titanium white
secondary · yellow ochre · cadmium red light
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and raw umber to the skin tone mixture. The robe is primarily ivory black with subtle variations created by adding small amounts of raw umber or burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving smooth blending.
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