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home·artworks·Portrait of Giovanni Agostino della Torre and his son Niccolò
Portrait of Giovanni Agostino della Torre and his son Niccolò by Lorenzo Lotto

plate no. 1618

Portrait of Giovanni Agostino della Torre and his son Niccolò

Lorenzo Lotto, 1515

oilHigh Renaissanceportraitportraitfiguresbookstableclothingdocuments
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering realistic skin tones. It also provides practice in depicting textures of clothing and objects, and creating a sense of depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition, paying attention to the placement and proportions of the figures and objects.

  2. step 02

    Establish the background with a thin layer of neutral color, gradually building up darker tones in the shadows.

  3. step 03

    Block in the basic shapes and values of the figures, focusing on the overall form and proportions.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Develop the details of the clothing, books, and other objects, using careful observation to capture their textures and forms.

  6. step 06

    Refine the highlights and shadows throughout the painting, creating a sense of depth and volume.

  7. step 07

    Add the final details, such as the writing on the documents and the small details of the clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · raw umber · yellow ochre · ivory black · titanium white

secondary · burnt sienna · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Dark clothing uses a mix of black and umber, lightened with white for highlights. The red book is achieved by mixing red and burnt sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering textures
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or abrupt transitions between light and shadow.
  • →Lack of attention to detail in the clothing and objects.
  • →Muddy or dull colors due to overmixing.
  • →Inaccurate rendering of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →how to learn by studying the masters →
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