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home·artworks·Portrait of Gerolamo Mercuriale
Portrait of Gerolamo Mercuriale by Lavinia Fontana

plate no. 6814

Portrait of Gerolamo Mercuriale

Lavinia Fontana, 1589

oilMannerism (Late Renaissance)portraitportraitfigurebookinteriorbookshelfglobe
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form using chiaroscuro.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key objects.

  2. step 02

    Establish the background with broad washes of color, paying attention to the drapery and bookshelf.

  3. step 03

    Block in the main shapes of the figure, including the face, hands, and clothing, using a limited palette.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle value changes to create form.

  5. step 05

    Add details to the clothing, such as the ruff and cuffs, and the book, paying attention to texture and light.

  6. step 06

    Develop the background details, including the books and globe, adding highlights and shadows to create depth.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall tonality.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · viridian · cadmium red light · gold

Achieve the skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red light for warmth. Darker tones are created by adding ivory black and burnt umber.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·rendering fabric

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to create a sense of depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer underpainting.

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