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home·artworks·Portrait of Gerolamo Casio
Portrait of Gerolamo Casio by Giovanni Antonio Boltraffio

plate no. 2604

Portrait of Gerolamo Casio

Giovanni Antonio Boltraffio, 1495

oilHigh Renaissanceportraitportraitfiguremanclothingwreathhand
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including proportion, skin tone mixing, and rendering of fabric folds. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the main shapes with thin washes of color, focusing on the overall value structure.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and drapery.

  5. step 05

    Paint the wreath, focusing on the shapes and values of the leaves.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add the details of the hand and the paper, including the ring and the text.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · ivory black · yellow ochre

Mix skin tones by blending burnt sienna, raw umber, titanium white, and a touch of cadmium red. Use ivory black to create shadows and yellow ochre to add warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·value study
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create a sense of depth in the clothing.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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