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home·artworks·Portrait of Georgiana Burne-jones
Portrait of Georgiana Burne-jones by Edward Poynter

plate no. 1665

Portrait of Georgiana Burne-jones

Edward Poynter, 1870

oilRomanticismportraitportraitfiguretea cupdressjewelrytable
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering delicate skin tones and subtle drapery folds. It also provides practice in painting intricate details like jewelry and teacups.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background color and the basic shapes of the wall and sofa.

  3. step 03

    Block in the main areas of the figure, including the dress, hair, and skin, using thin washes of color.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Add details to the dress, focusing on the folds and highlights.

  6. step 06

    Paint the teacup and saucer, carefully rendering the intricate patterns.

  7. step 07

    Add the jewelry and other accessories, paying attention to their metallic sheen and texture.

  8. step 08

    Refine the details and add final touches to the background and foreground.

color palette

primary · titanium white · raw umber · cerulean blue

secondary · alizarin crimson · yellow ochre · ivory black

Achieve skin tones by mixing white, raw umber, and a touch of alizarin crimson. Use cerulean blue and white for the background and teacup patterns. Mix yellow ochre and raw umber for the gold jewelry.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·rendering of fabrics

common pitfalls

  • →Overworking the skin tones and losing the delicate quality.
  • →Getting the proportions of the figure wrong.
  • →Making the details too sharp and defined.
  • →Not paying attention to the subtle color variations in the dress.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cerulean blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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