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home·artworks·Portrait of Fray Hortensio Felix Paravicino
Portrait of Fray Hortensio Felix Paravicino by El Greco

plate no. 3050

Portrait of Fray Hortensio Felix Paravicino

El Greco, 1609

oil, canvasMannerism (Late Renaissance)portraitportraitfiguremanrobebookchair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating depth and form using subtle value changes and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure, chair, and book.

  2. step 02

    Establish the background with a thin wash of muted colors, paying attention to the subtle gradations.

  3. step 03

    Block in the main shapes of the figure, including the robe, collar, and face, using simplified color masses.

  4. step 04

    Develop the values and forms of the face, focusing on capturing the likeness and expression.

  5. step 05

    Refine the details of the robe, collar, and book, paying attention to the folds and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension throughout the painting.

  7. step 07

    Work on the hands, paying attention to the subtle nuances of form and gesture.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and harmonious composition.

color palette

primary · ivory black · titanium white · raw umber · burnt umber

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve the subtle flesh tones by mixing white, red, and yellow ochre with small amounts of umber. Darken colors with ivory black and lighten with titanium white. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Failing to capture the likeness of the subject
  • →Creating muddy colors by overmixing
  • →Ignoring the subtle value changes that create form

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.

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