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home·artworks·Portrait of Francesco da Castiglione
Portrait of Francesco da Castiglione by Jacopo Pontormo

plate no. 5773

Portrait of Francesco da Castiglione

Jacopo Pontormo, 1520

oil, woodMannerism (Late Renaissance)portraitportraitmanhatprofileclothing
some experience helpful

Recreating this portrait will help students develop skills in portraiture, color mixing for skin tones, and rendering subtle gradations of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a neutral ground.

  2. step 02

    Sketch the basic outline of the head, hat, and shoulders, paying attention to proportions and angles.

  3. step 03

    Block in the large areas of color: the background, the hat, the face, and the clothing.

  4. step 04

    Begin layering and blending the skin tones, focusing on the subtle variations in color and value.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using smaller brushes.

  6. step 06

    Refine the details of the hat and clothing, paying attention to the folds and textures.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a polished finish.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, a touch of red, and small amounts of umber for shadows. Mix black with umber for the hat and clothing, adding small amounts of white for highlights.

techniques

  • ·portrait drawing
  • ·color mixing
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much detail too early in the painting process.
  • →Neglecting the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, cadmium red light)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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