
plate no. 1627
Recreating this painting will help students develop skills in portraiture, color mixing to achieve realistic skin tones, and using visible brushstrokes to create form and texture. It also provides practice in capturing a likeness and conveying a sense of mood.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, hand, and clothing.
Establish the overall value structure with thin washes of burnt umber and raw sienna.
Begin blocking in the larger areas of color, focusing on the skin tones and hair.
Mix a range of skin tones using white, yellow ochre, burnt sienna, and a touch of alizarin crimson.
Apply short, directional brushstrokes to define the planes of the face and hand.
Add darker values to the hair and clothing, using a mix of burnt umber and black.
Refine the details of the eyes, nose, and mouth, paying attention to the subtle variations in color and value.
Add highlights to the face and hand to create a sense of depth and dimension.
color palette
primary · burnt umber · raw sienna · yellow ochre · titanium white
secondary · alizarin crimson · ivory black
Mix skin tones by combining white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use burnt umber and black for darker values in the hair and clothing. Add white to lighten values and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.
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