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home·artworks·Portrait of France Preseren
Portrait of France Preseren by Ivan Grohar

plate no. 1627

Portrait of France Preseren

Ivan Grohar

oilImpressionismportraitportraitfiguremanhairclothinghand
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing to achieve realistic skin tones, and using visible brushstrokes to create form and texture. It also provides practice in capturing a likeness and conveying a sense of mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hand, and clothing.

  2. step 02

    Establish the overall value structure with thin washes of burnt umber and raw sienna.

  3. step 03

    Begin blocking in the larger areas of color, focusing on the skin tones and hair.

  4. step 04

    Mix a range of skin tones using white, yellow ochre, burnt sienna, and a touch of alizarin crimson.

  5. step 05

    Apply short, directional brushstrokes to define the planes of the face and hand.

  6. step 06

    Add darker values to the hair and clothing, using a mix of burnt umber and black.

  7. step 07

    Refine the details of the eyes, nose, and mouth, paying attention to the subtle variations in color and value.

  8. step 08

    Add highlights to the face and hand to create a sense of depth and dimension.

color palette

primary · burnt umber · raw sienna · yellow ochre · titanium white

secondary · alizarin crimson · ivory black

Mix skin tones by combining white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use burnt umber and black for darker values in the hair and clothing. Add white to lighten values and create highlights.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·portraiture
  • ·alla prima
  • ·directional brushstrokes

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Overworking the details, resulting in a stiff and unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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