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home·artworks·Portrait of Ferdinand Guillemardet
Portrait of Ferdinand Guillemardet by Francisco Goya

plate no. 5297

Portrait of Ferdinand Guillemardet

Francisco Goya, 1798

oil, canvasRomanticismportraitportraitfigureclothingtablehatchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic textures in clothing and accessories. It also provides practice in creating depth and atmosphere using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with a thin wash of muted gray-brown tones.

  3. step 03

    Block in the main shapes of the figure, clothing, and furniture with simplified colors.

  4. step 04

    Refine the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and decorative elements.

  6. step 06

    Add highlights and shadows to the chair and table to create a sense of depth.

  7. step 07

    Refine the background and adjust values to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and glazes to enhance the overall realism and mood.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix blacks with umber and a touch of blue to avoid a flat, lifeless black. Use white and ochre to create highlights on the face and clothing. Muted reds and blues are used for the hat and sash.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Using pure black without mixing it with other colors.
  • →Failing to establish a strong value structure.
  • →Neglecting the importance of subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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