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home·artworks·Portrait Of Federico De Madrazo
Portrait Of Federico De Madrazo by Raimundo de Madrazo

plate no. 9011

Portrait Of Federico De Madrazo

Raimundo de Madrazo, 1875

oil, canvasImpressionismportraitportraitfigureartisteaselclothingbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and easel.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing, and easel.

  3. step 03

    Develop the background with loose, visible brushstrokes, varying the greens and browns.

  4. step 04

    Refine the facial features, paying close attention to proportions and values.

  5. step 05

    Add details to the clothing, such as the bow tie and flower, using darker values for shadows.

  6. step 06

    Paint the easel, capturing its wooden texture and form with varying shades of brown.

  7. step 07

    Add highlights to the face, hands, and easel to create a sense of light and dimension.

  8. step 08

    Make final adjustments to values and details to achieve a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · yellow ochre · viridian

secondary · burnt umber · cadmium red light · raw sienna

Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the background green by mixing viridian with yellow ochre and white. Use burnt umber and ivory black for the dark areas of the clothing and easel.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·chiaroscuro

common pitfalls

  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle variations in color within the background.
  • →Getting the proportions of the face wrong.
  • →Not capturing the texture of the clothing and easel.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to help establish the initial values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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