apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Febo da Brescia
Portrait of Febo da Brescia by Lorenzo Lotto

plate no. 1324

Portrait of Febo da Brescia

Lorenzo Lotto, 1544

oil, canvasHigh Renaissanceportraitportraitfigurefurclothinghandstable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin to refine the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, including the fur collar and lace cuffs.

  5. step 05

    Work on the hands, carefully rendering the form and details.

  6. step 06

    Add subtle highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and any remaining details.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson

Mix various shades of brown and gray by combining the primary colors. Use yellow ochre and white for highlights on the fur. Add small amounts of alizarin crimson for warmth in the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fur texture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Making the skin tones look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint
  • ·cadmium yellow oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael