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home·artworks·Portrait of Fanny Maria Ophelia Schiern, née Beutner
Portrait of Fanny Maria Ophelia Schiern, née Beutner by Wilhelm Marstrand

plate no. 9777

Portrait of Fanny Maria Ophelia Schiern, née Beutner

Wilhelm Marstrand, 1861

oil, canvasRomanticismportraitportraitfigureclothinghairbackgroundlace
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering of fabrics and textures. It also provides practice in creating a sense of depth and form through light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval composition and the basic proportions of the figure, focusing on accurate placement of facial features.

  2. step 02

    Block in the main areas of color: skin tones, hair, clothing, and background, using thin washes of paint.

  3. step 03

    Begin refining the skin tones, layering subtle variations of color to create a realistic and luminous effect.

  4. step 04

    Develop the details of the hair, using small brushstrokes to define the curls and highlights.

  5. step 05

    Work on the clothing, paying attention to the folds and shadows to create a sense of volume.

  6. step 06

    Add the details of the lace collar and cuffs, using fine brushstrokes to capture the delicate texture.

  7. step 07

    Refine the background, adding subtle variations of color and texture to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and create a sense of light.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The dark clothing is a mix of black and burnt umber, lightened with white for highlights. The background is a mix of viridian green, ultramarine blue, and burnt umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·rendering fabric
  • ·creating depth

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the hair and clothing.
  • →Flat or lifeless background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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