apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Fanny Holman Hunt
Portrait of Fanny Holman Hunt by William Holman Hunt

plate no. 7842

Portrait of Fanny Holman Hunt

William Holman Hunt, 1868

oil, canvasRomanticismportraitportraitfigureshawlvaseinteriorfireplace
experienced study

Recreating this painting would help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as the ability to depict complex fabric patterns and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the figure and background elements, paying close attention to proportions and composition.

  2. step 02

    Block in the main color areas, starting with the background and larger shapes.

  3. step 03

    Develop the skin tones using layers of thin glazes, focusing on subtle variations in color and value.

  4. step 04

    Paint the shawl, carefully rendering the intricate patterns and folds.

  5. step 05

    Add details to the clothing, jewelry, and other accessories.

  6. step 06

    Refine the background elements, including the vase, fireplace, and wall decorations.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · alizarin crimson · ultramarine blue · yellow ochre · titanium white

secondary · viridian · burnt umber · cadmium red light

Achieve the skin tones by mixing alizarin crimson, yellow ochre, and titanium white, with small amounts of ultramarine blue for shadows. Create the shawl colors by mixing alizarin crimson, burnt umber, and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →inaccurate proportions
  • →muddy skin tones
  • →overly simplified fabric patterns
  • →lack of depth and dimension

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke