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home·artworks·Portrait of Emmanuel Arago
Portrait of Emmanuel Arago by Benjamin Constant

plate no. 7106

Portrait of Emmanuel Arago

Benjamin Constant, 1888

oilRomanticismportraitportraitfiguremanprofileclothinghead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders using a light pencil.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general tones of the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the nose, mouth, and eye socket.

  4. step 04

    Develop the highlights and shadows on the face to create a sense of three-dimensionality.

  5. step 05

    Work on the details of the hair, using short, broken brushstrokes to suggest texture.

  6. step 06

    Refine the clothing, focusing on the folds and creases in the fabric.

  7. step 07

    Add subtle color variations to the skin tones to create a more lifelike appearance.

  8. step 08

    Make final adjustments to the values and edges to create a cohesive and compelling portrait.

color palette

primary · ivory black · titanium white · raw umber

secondary · burnt sienna · yellow ochre

Mix white with small amounts of raw umber and burnt sienna to create the skin tones. Use ivory black and raw umber for the dark areas of the background and clothing. Add small amounts of yellow ochre to the skin tones for warmth.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·blending
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in value and color on the face.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a smooth surface for easier blending. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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