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home·artworks·Portrait of Elizabeth Campbell, Marchesa Di Spineto
Portrait of Elizabeth Campbell,  Marchesa Di Spineto by Henry Raeburn

plate no. 9071

Portrait of Elizabeth Campbell, Marchesa Di Spineto

Henry Raeburn, 1812

oilRomanticismportraitportraitfiguredresshairshadowscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, diffused lighting and subtle value transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a thin wash of dark, muted colors.

  3. step 03

    Block in the main areas of light and shadow on the face and body, using a limited palette.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the drapery and clothing, focusing on the folds and highlights.

  6. step 06

    Soften edges and blend transitions to create a smooth, realistic effect.

  7. step 07

    Add final details, such as highlights in the hair and subtle variations in skin tone.

  8. step 08

    Glaze with thin layers to adjust color and value as needed.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · alizarin crimson · raw sienna

Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of alizarin crimson. Use ivory black and burnt umber to create the dark background and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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oil painting for beginners →how to learn by studying the masters →
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