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home·artworks·Portrait of Elise Kreuzberger
Portrait of Elise Kreuzberger by Friedrich von Amerling

plate no. 1204

Portrait of Elise Kreuzberger

Friedrich von Amerling, 1837

oilRomanticismportraitportraitfigurewomanlaceflowerfur
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering fine details like lace and hair. It also provides practice in creating soft, diffused lighting and capturing a likeness.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the head tilt and shoulder placement.

  2. step 02

    Block in the main shapes and values, focusing on the background, skin tones, and the dark areas of the hair and fur.

  3. step 03

    Begin refining the skin tones by layering and blending different shades of pink, yellow, and brown.

  4. step 04

    Add details to the face, including the eyes, nose, and mouth, paying attention to the subtle highlights and shadows.

  5. step 05

    Paint the hair, creating soft, flowing lines and adding highlights to give it dimension.

  6. step 06

    Render the lace shawl, carefully depicting the intricate patterns and delicate texture.

  7. step 07

    Paint the fur collar, using short, broken brushstrokes to create a sense of texture and depth.

  8. step 08

    Add the final details, such as the flower in the hair and the highlights on the jewelry.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue · viridian

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and burnt umber for shadows. Mix viridian with yellow ochre for the green leaves.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·rendering

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Overworking details
  • →Flat lighting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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