apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Elanor Hyde Phillips
Portrait of Elanor Hyde Phillips by Edmund Charles Tarbell

plate no. 3748

Portrait of Elanor Hyde Phillips

Edmund Charles Tarbell

oil, canvasImpressionismportraitfigureportraitdresswaterlandscapetrees
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on fabric and skin, as well as creating depth and atmosphere in a landscape. Students will also learn to mix subtle color variations to represent reflected light and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the background.

  2. step 02

    Establish the background with broad strokes, focusing on the water and foliage.

  3. step 03

    Block in the basic shapes and values of the figure, paying attention to the overall proportions.

  4. step 04

    Start building up the layers of the dress, using broken color and short brushstrokes to create texture and light.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression.

  6. step 06

    Add highlights and shadows to the figure and background to create depth and dimension.

  7. step 07

    Blend and soften edges as needed to create a harmonious composition.

  8. step 08

    Add final details and adjust colors to achieve the desired effect.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · viridian

Mix white with small amounts of yellow ochre, raw umber, and ultramarine blue to create the various shades of white in the dress. Use combinations of yellow ochre, raw umber, and viridian to create the greens in the background. Mix alizarin crimson and white to create the skin tones.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·glazing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to capture the subtle color variations in the white dress.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, yellow ochre, raw umber, ultramarine blue, cadmium yellow, alizarin crimson, viridian)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the broken color technique.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann