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home·artworks·Portrait of Eduard Julius Friedrich Bendemann
Portrait of Eduard Julius Friedrich Bendemann by Friedrich von Amerling

plate no. 6344

Portrait of Eduard Julius Friedrich Bendemann

Friedrich von Amerling, 1837

oil, canvasRomanticismportraitportraitfiguremanhairclothingjacket
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, diffused lighting and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of skin tones.

  4. step 04

    Develop the details of the hair, paying attention to the curls and highlights.

  5. step 05

    Paint the clothing, focusing on the folds and shadows to create depth.

  6. step 06

    Refine the facial features, adding subtle details to capture the likeness.

  7. step 07

    Add highlights to the face, hair, and clothing to create a sense of light and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the tones.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red · ultramarine blue

Mix skin tones using titanium white, burnt umber, and a touch of cadmium red. Create the dark jacket color by mixing ivory black and ultramarine blue. Use raw sienna and burnt umber for the background.

techniques

  • ·portrait sketching
  • ·glazing
  • ·color mixing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and creating a muddy effect.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, burnt umber, raw sienna, ivory black, cadmium red, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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