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home·artworks·Portrait of Duncan
Portrait of Duncan by Marjorie Acker Phillips

plate no. 2098

Portrait of Duncan

Marjorie Acker Phillips

oilImpressionismportraitportraitfigureinteriordogsnewspaperwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and creating a sense of depth through layering and color mixing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure, dogs, and key elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main shapes of the figure, using a limited palette to establish the overall tones.

  4. step 04

    Begin refining the facial features, focusing on capturing the likeness and subtle variations in skin tone.

  5. step 05

    Add details to the clothing, newspaper, and other elements, using a variety of brushstrokes to create texture.

  6. step 06

    Paint the dogs, paying attention to the fur texture and the way the light interacts with their coats.

  7. step 07

    Refine the background and foreground, adding details and adjusting the values to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and visual impact.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre · violet

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Achieve skin tones by mixing titanium white, cadmium red light, yellow ochre, and a touch of ultramarine blue.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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