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home·artworks·Portrait of Édouard Blau
Portrait of Édouard Blau by Frederic Bazille

plate no. 7736

Portrait of Édouard Blau

Frederic Bazille, 1866

oil, canvasImpressionismportraitportraitfiguremanclothingchairhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including proportion and capturing likeness, as well as understanding subtle color variations in skin tones and shadows. Students will also learn to create depth and form using value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the main shapes and areas of color, such as the skin, hair, clothing, and background.

  3. step 03

    Begin to refine the skin tones, using a variety of colors to create depth and dimension.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Work on the clothing, using darker values to create shadows and folds.

  6. step 06

    Refine the background, blending the colors to create a sense of depth.

  7. step 07

    Add highlights to the face and clothing to create contrast and dimension.

  8. step 08

    Make final adjustments to the painting, ensuring that the colors and values are balanced.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · cadmium red · viridian green

Mix skin tones by blending yellow ochre, burnt umber, and titanium white. Use ivory black and burnt umber for the dark clothing. Add small amounts of cadmium red to warm up skin tones and the chair.

techniques

  • ·portraiture
  • ·value study
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Using too much black, resulting in a dull or lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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