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home·artworks·Portrait of Daphne Spencer
Portrait of Daphne Spencer by Stanley Spencer

plate no. 6993

Portrait of Daphne Spencer

Stanley Spencer, 1951

oilNeo-Romanticismportraitportraitfigurehatlacehairfloral pattern
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing detailed brushwork for textures like lace and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background elements.

  2. step 02

    Establish the main light and shadow areas on the face and clothing.

  3. step 03

    Block in the base colors for the skin, hair, hat, and background.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the facial features, paying attention to the subtle variations in color and value.

  6. step 06

    Render the textures of the hat, lace, and clothing with careful brushstrokes.

  7. step 07

    Refine the background details and adjust the overall composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · ivory black · alizarin crimson

Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Use ultramarine blue and ivory black to create cool shadows.

techniques

  • ·portrait sketching
  • ·color mixing for skin tones
  • ·layering and blending
  • ·rendering textures
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the correct proportions of the face.
  • →Ignoring subtle variations in skin tone.
  • →Getting lost in details before establishing the overall form.
  • →Not using enough contrast to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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