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home·artworks·Portrait of Dante Gabriel Rossetti
Portrait of Dante Gabriel Rossetti by William Holman Hunt

plate no. 8406

Portrait of Dante Gabriel Rossetti

William Holman Hunt, 1853

chalk, pastel, paperRomanticismportraitportraitfiguremalehairfaceclothing
some experience helpful

Recreating this portrait will help students develop skills in portrait proportions, color mixing for skin tones, and rendering realistic hair and facial features. Students will also learn to create soft transitions and subtle shading.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background circle.

  2. step 02

    Establish the main light and shadow areas on the face and clothing using a mid-tone pastel.

  3. step 03

    Begin layering in darker values to define the features and create depth.

  4. step 04

    Add highlights to the face, hair, and clothing to create form and dimension.

  5. step 05

    Mix and apply the background color, blending it smoothly around the figure.

  6. step 06

    Refine the details of the eyes, nose, and mouth, paying close attention to accuracy.

  7. step 07

    Add texture to the hair and beard using short, broken strokes.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic portrait.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · yellow ochre

Skin tones are achieved by mixing raw umber, burnt sienna, and titanium white, with small amounts of cadmium red for warmth. The background is a mix of ultramarine blue and white. Hair color is a mix of burnt sienna, raw umber, and small amounts of cadmium red.

techniques

  • ·blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·value control

common pitfalls

  • →Incorrect proportions can ruin the likeness, so focus on accurate measurements.
  • →Over-blending can make the portrait look flat and lifeless.
  • →Using too much white can make the skin tones look chalky.
  • →Ignoring subtle value changes can result in a lack of depth.

materials

surface · toned pastel paper

required

  • ·pastel set
  • ·chalk set
  • ·toned paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·ruler

optional

  • ·palette knife
  • ·easel
  • ·workable fixative

Choose a pastel paper with a slightly rough texture to help the pastel adhere. A mid-tone paper will make it easier to establish the values.

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