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home·artworks·Portrait of D. Amalio Gimeno
Portrait of D. Amalio Gimeno by Joaquín Sorolla

plate no. 3695

Portrait of D. Amalio Gimeno

Joaquín Sorolla, 1919

oil, canvasImpressionismportraitportraitfiguregardenstatuefoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing likeness and form with loose brushstrokes, and understanding subtle color variations in light and shadow. It also provides practice in depicting textures and details in a garden setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, statue, and background.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color with thin washes.

  3. step 03

    Begin building up the form of the figure, focusing on the light and shadow patterns on the face and clothing.

  4. step 04

    Develop the background elements, such as the statue, foliage, and architecture, using loose, expressive brushstrokes.

  5. step 05

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the colors and values as needed to create a harmonious composition.

  8. step 08

    Add final details and touches to complete the painting.

color palette

primary · titanium white · yellow ochre · raw umber · ivory black

secondary · cadmium red light · viridian · ultramarine blue

Mix various shades of white with small amounts of yellow ochre, raw umber, and ivory black to create the subtle variations in the figure's clothing and skin tone. Use viridian and ultramarine blue to create the greens of the foliage, and cadmium red light for the flowers.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the likeness of the figure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle color variations in the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for the brushstrokes.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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