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home·artworks·Portrait of Countess O. I. Orlova-Davydova and Her Daughter
Portrait of Countess O. I. Orlova-Davydova and Her Daughter by Karl Bryullov

plate no. 2938

Portrait of Countess O. I. Orlova-Davydova and Her Daughter

Karl Bryullov, 1834

oil, canvasRomanticismportraitportraitfiguresdraperylandscapedoginterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as understanding how to depict the folds and highlights of fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major shapes.

  2. step 02

    Block in the background with thin washes of color, establishing the overall tone.

  3. step 03

    Establish the main value structure of the figures, paying attention to light and shadow.

  4. step 04

    Begin refining the skin tones, using layers of subtle color variations.

  5. step 05

    Work on the drapery, carefully observing the folds and highlights.

  6. step 06

    Add details to the faces, including the eyes, nose, and mouth.

  7. step 07

    Paint the dog and other minor details, such as the jewelry and background elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · titanium white · alizarin crimson · ultramarine blue

secondary · yellow ochre · raw umber · burnt sienna

Achieve skin tones by mixing white, crimson, yellow ochre, and a touch of blue. Create the deep blues of the dress by mixing black and ultramarine blue, and lighten with white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth in the drapery.
  • →Ignoring subtle color variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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