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home·artworks·Portrait of Countess Luigia Douglas Scotti d'Adda
Portrait of Countess Luigia Douglas Scotti d'Adda by Francesco Hayez

plate no. 6765

Portrait of Countess Luigia Douglas Scotti d'Adda

Francesco Hayez, 1830

oil, canvasRomanticismportraitportraitfiguredresshairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering fabric textures. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (burnt umber wash).

  2. step 02

    Sketch the basic shapes and proportions of the figure, paying attention to the pose and composition.

  3. step 03

    Block in the main areas of color: skin tones, hair, dress, and background.

  4. step 04

    Begin refining the skin tones, layering subtle variations of color to create form and depth.

  5. step 05

    Develop the details of the hair, using small brushstrokes to suggest individual strands and curls.

  6. step 06

    Work on the fabric of the dress, paying attention to the folds and highlights to create a sense of volume.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · ultramarine blue · yellow ochre · raw sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The dress is a mix of black and ultramarine blue, with highlights created by adding white. The background is a muted mix of umber, black, and a touch of green.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh or flat skin tones.
  • →Lack of attention to the details of the hair and clothing.
  • →Ignoring the subtle value shifts that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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