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home·artworks·Portrait of Countess D'ash
Portrait of Countess D'ash by Charles de Steuben

plate no. 6475

Portrait of Countess D'ash

Charles de Steuben, 1844

oilRomanticismportraitfigureportraitdressdraperybuildingsky
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice painting drapery and fabric textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and background elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the dress, drapery, and background.

  3. step 03

    Develop the skin tones using a limited palette and subtle blending techniques.

  4. step 04

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add the details of the dress, including the lace, jewelry, and folds of the fabric.

  6. step 06

    Paint the drapery, focusing on the highlights and shadows to create a sense of volume.

  7. step 07

    Add the background details, including the building and sky.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and polished painting.

color palette

primary · titanium white · ivory black · yellow ochre · burnt sienna

secondary · ultramarine blue · cadmium red · raw umber

Mix skin tones using titanium white, yellow ochre, burnt sienna, and a touch of cadmium red. Create the drapery colors by mixing the primary colors with white and raw umber to create muted tones.

techniques

  • ·portraiture
  • ·drapery painting
  • ·glazing
  • ·blending
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the dress and drapery
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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