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home·artworks·Portrait of Countess Anna De Noailles, Princess of Brancovan
Portrait of Countess Anna De Noailles, Princess of Brancovan by Antonio de la Gándara

plate no. 5707

Portrait of Countess Anna De Noailles, Princess of Brancovan

Antonio de la Gándara, 1899

oilArt Nouveau (Modern)portraitportraitfiguredresschairfabricbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle value changes in skin tones, as well as rendering fabric with soft folds and highlights.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a thin wash of dark, muted colors.

  3. step 03

    Block in the main areas of the dress and chair with their base colors.

  4. step 04

    Begin adding shadows and highlights to the dress, focusing on the folds and drapery.

  5. step 05

    Refine the facial features, paying close attention to the subtle value changes in the skin.

  6. step 06

    Add details to the hair, jewelry, and any other accessories.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · ultramarine blue

secondary · raw umber · burnt sienna · yellow ochre

Achieve the dress's subtle blue-gray tones by mixing white, black, and a touch of ultramarine blue. Use raw umber and burnt sienna to create the warm tones in the skin and chair.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the softness and subtlety of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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