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home·artworks·Portrait of Count František Josef Žerotín
Portrait of Count František Josef Žerotín by Alexander Clarot

plate no. 2539

Portrait of Count František Josef Žerotín

Alexander Clarot, 1836

oil, canvasRomanticismportraitportraitfigureclothingcolumnlandscapecurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and details in clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: background, skin tones, clothing, and column.

  3. step 03

    Refine the skin tones, focusing on subtle variations in color and value to create a realistic effect.

  4. step 04

    Begin adding details to the clothing, starting with the larger shapes and gradually working towards the finer details of the embroidery.

  5. step 05

    Paint the background, blending the colors smoothly to create a sense of depth.

  6. step 06

    Add highlights and shadows to the figure and clothing to create a sense of volume and form.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final touches and adjust the overall composition as needed.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, red, and a touch of yellow ochre and umber. Dark clothing requires careful layering of black and umber with subtle hints of blue. Gold embroidery is achieved with ochre, sienna, and white highlights.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Getting lost in the details of the clothing and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna, ultramarine blue)
  • ·Bristle brushes (various sizes)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Easel

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Detail brushes

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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