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home·artworks·Portrait of Cosimo de' Medici the Elder
Portrait of Cosimo de' Medici the Elder by Jacopo Pontormo

plate no. 9497

Portrait of Cosimo de' Medici the Elder

Jacopo Pontormo, 1520

oil, panelMannerism (Late Renaissance)portraitportraitfigureclothingscrollleaveschair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also provides practice in creating subtle value shifts to model form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with dark, muted tones, suggesting the foliage and architectural elements.

  3. step 03

    Block in the main areas of the red robe and hat, paying attention to the overall shape and flow of the fabric.

  4. step 04

    Begin to define the facial features, using subtle value changes to create depth and form.

  5. step 05

    Develop the folds and highlights in the robe, using a combination of blending and layering techniques.

  6. step 06

    Add details to the hands, carefully observing the light and shadow patterns.

  7. step 07

    Paint the scroll and the inscription, focusing on accuracy and legibility.

  8. step 08

    Refine the overall painting, adjusting values and adding final details to enhance the realism and depth.

color palette

primary · cadmium red · ivory black · titanium white

secondary · yellow ochre · raw umber

Mix various shades of red by adding black or white to the cadmium red. Use yellow ochre and raw umber to create the skin tones and the aged look of the scroll.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversaturating the red color, making it look unnatural.
  • →Failing to create enough depth in the shadows.
  • →Ignoring the subtle value changes in the face, resulting in a flat and lifeless portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (cadmium red, ivory black, titanium white, yellow ochre, raw umber)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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