apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Conte Baglioni
Portrait of Conte Baglioni by Francesco Hayez

plate no. 1581

Portrait of Conte Baglioni

Francesco Hayez, 1860

oil, canvasRomanticismportraitportraitfigureinteriordraperyweaponsdog
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice painting drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with thin washes of color, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main shapes of the figure, starting with the darks and mid-tones.

  4. step 04

    Begin to refine the details of the face, focusing on capturing the likeness and expression.

  5. step 05

    Develop the drapery and other objects, paying attention to the folds and textures.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and add finishing touches.

  8. step 08

    Glaze with thin layers of color to unify the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use ultramarine blue and cadmium red to create the darker tones in the drapery.

techniques

  • ·portraiture
  • ·drapery painting
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the details too early
  • →Muddying the colors by over-mixing
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·mahogany palette

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke