
plate no. 3108
Sarah Purser, 1908
Recreating this painting will help students practice portraiture, including skin tones and facial features, as well as rendering soft fabrics and animal fur. It also provides an opportunity to study composition and color harmony in a muted palette.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, cat, and background.
Establish the main areas of light and shadow with a thin wash of color.
Begin building up the skin tones, paying attention to subtle variations in color and value.
Develop the details of the dress, lace, and shawl, focusing on the folds and drapery.
Paint the cat, building up the fur with short, overlapping strokes.
Refine the background, creating a sense of depth and atmosphere.
Add the details of the flowers in the lower left corner.
Make final adjustments to the overall composition and color harmony.
color palette
primary · titanium white · ultramarine blue · burnt umber · yellow ochre
secondary · alizarin crimson · raw sienna
Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the blue dress by mixing ultramarine blue with white and a touch of burnt umber to mute the color. The cat's fur is a blend of burnt umber, raw sienna, and touches of alizarin crimson.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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