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home·artworks·Portrait of Constance
Portrait of Constance by Sarah Purser

plate no. 3108

Portrait of Constance

Sarah Purser, 1908

oilImpressionismportraitportraitfigurecatdressfoliageflowers
some experience helpful

Recreating this painting will help students practice portraiture, including skin tones and facial features, as well as rendering soft fabrics and animal fur. It also provides an opportunity to study composition and color harmony in a muted palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, cat, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the dress, lace, and shawl, focusing on the folds and drapery.

  5. step 05

    Paint the cat, building up the fur with short, overlapping strokes.

  6. step 06

    Refine the background, creating a sense of depth and atmosphere.

  7. step 07

    Add the details of the flowers in the lower left corner.

  8. step 08

    Make final adjustments to the overall composition and color harmony.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · alizarin crimson · raw sienna

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the blue dress by mixing ultramarine blue with white and a touch of burnt umber to mute the color. The cat's fur is a blend of burnt umber, raw sienna, and touches of alizarin crimson.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·fur rendering
  • ·drapery

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the cat's fur look flat and lifeless.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·raw sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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