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home·artworks·Portrait of Colonel Alasdair Mcdonnell of Glengarry
Portrait of Colonel Alasdair Mcdonnell of Glengarry by Henry Raeburn

plate no. 2771

Portrait of Colonel Alasdair Mcdonnell of Glengarry

Henry Raeburn, 1812

oil, canvasRomanticismportraitportraitfiguretartanweaponsshieldclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic clothing textures, as well as understanding the use of chiaroscuro to create depth and drama.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure and the placement of key elements like the head, hands, and weapons.

  2. step 02

    Establish the background with a thin wash of dark brown, gradually building up darker areas.

  3. step 03

    Block in the main shapes of the figure, focusing on the overall form and proportions.

  4. step 04

    Start defining the facial features, paying close attention to the light and shadow.

  5. step 05

    Begin rendering the tartan pattern, focusing on the overall structure and color variations.

  6. step 06

    Add details to the clothing, weapons, and shield, using smaller brushes and finer strokes.

  7. step 07

    Refine the highlights and shadows throughout the painting, creating a sense of depth and realism.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · ultramarine blue · yellow ochre

Mix various shades of brown by combining burnt umber, raw sienna, and ivory black. Use titanium white to lighten these colors and create highlights. Achieve the tartan colors by mixing cadmium red with burnt umber and ultramarine blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the likeness of the subject.
  • →Overworking the tartan pattern and losing the overall form.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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