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home·artworks·Portrait of Clarissa Wessely Fesch
Portrait of Clarissa Wessely Fesch by Giuseppe Tominz

plate no. 4130

Portrait of Clarissa Wessely Fesch

Giuseppe Tominz, 1834

oil, canvasRomanticismportraitportraitfigureclothingjewelryhairdress
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value transitions in skin tones, and rendering of fabric textures. It also provides practice in depicting jewelry and other fine details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main shapes and colors of the background, dress, and skin tones.

  3. step 03

    Refine the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the hair, jewelry, and clothing, including the folds and textures.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Blend and refine the transitions between colors and values.

  7. step 07

    Add final details and adjust the overall composition.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix skin tones using white, red, umber, and a touch of yellow. Achieve the dress's dark tones by mixing black with a touch of blue or umber. Use white and blue to create the shawl.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering fabric
  • ·rendering jewelry

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of detail in the hair, jewelry, and clothing.
  • →Flat or lifeless rendering of the fabric.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (ivory black, titanium white, raw umber, cadmium red light, ultramarine blue, yellow ochre, burnt sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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