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home·artworks·Portrait of Cardinal Pompeo Colonna
Portrait of Cardinal Pompeo Colonna by Sebastiano del Piombo

plate no. 9656

Portrait of Cardinal Pompeo Colonna

Sebastiano del Piombo

oilMannerism (Late Renaissance)portraitportraitfiguredogtableclothingdocuments
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures, such as fabric and fur, and understanding the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the cardinal, dog, and table.

  2. step 02

    Block in the background with a dark, muted color, establishing the overall value range.

  3. step 03

    Begin painting the cardinal's face, focusing on accurate skin tones and subtle shading to define the features.

  4. step 04

    Paint the cardinal's red robes, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Render the dog's fur with short, directional brushstrokes, varying the color and value to create texture.

  6. step 06

    Paint the table and documents, adding details such as patterns and shadows to create depth.

  7. step 07

    Refine the details of the face, clothing, and dog, adding highlights and shadows to enhance realism.

  8. step 08

    Add final touches and glazes to unify the painting and create a sense of atmosphere.

color palette

primary · cadmium red · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix various shades of red by combining cadmium red with small amounts of ivory black or burnt sienna. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use raw umber and ivory black to create dark shadows and muted tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Failing to create a convincing sense of depth and volume.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for applying paint.

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