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home·artworks·Portrait of Cardinal Dovizzi de Bibbiena
Portrait of Cardinal Dovizzi de Bibbiena by Raphael

plate no. 5912

Portrait of Cardinal Dovizzi de Bibbiena

Raphael, 1516

oil, canvasHigh Renaissanceportraitportraitfigurecardinalclothinghandsface
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value gradations for form, and rendering of fabric textures. It also provides practice in capturing a likeness and conveying character through facial expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the overall composition.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main areas of color for the face, clothing, and hands, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the folds and drapery of the clothing, using a combination of blending and layering techniques.

  6. step 06

    Add details such as the buttons, rings, and the paper in the hand.

  7. step 07

    Refine the edges and contours of the figure, softening or sharpening them as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · red ochre · ivory black · titanium white · raw umber

secondary · cadmium red · yellow ochre · burnt sienna

Mix various shades of red by combining red ochre, cadmium red, and burnt sienna. Use ivory black and raw umber to create the dark background and shadows. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of red.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Neglecting the subtle value shifts that create form.
  • →Inaccurate color mixing, leading to unnatural skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red ochre, cadmium red, ivory black, titanium white, raw umber, yellow ochre, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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