
plate no. 6528
Julian Alden Weir, 1887
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.
Establish the background with a dark, muted tone, leaving space for the figure.
Block in the main shapes of the dress with a light, neutral color, paying attention to the folds and highlights.
Begin layering the white fabric, using subtle variations in tone to create depth and dimension.
Paint the face and hands, focusing on capturing the likeness and expression of the subject.
Add details to the dress, such as the lace trim and ribbon, using fine brushstrokes.
Paint the orange, paying attention to its round shape and the highlights and shadows.
Refine the background and add any final details to complete the painting.
color palette
primary · titanium white · ivory black · raw umber
secondary · cadmium orange · yellow ochre · burnt sienna
Achieve the subtle variations in white by mixing small amounts of black, umber, or yellow ochre into the white. Use glazes of diluted umber and black to create shadows and depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.
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