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home·artworks·Portrait of C.F. Keary
Portrait of C.F. Keary by Rupert Bunny

plate no. 7904

Portrait of C.F. Keary

Rupert Bunny, 1891

oilImpressionismportraitportraitmanfiguresuitbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a harmonious color palette with muted tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values with thin washes of color, establishing the light and shadow patterns.

  3. step 03

    Refine the facial features, focusing on accurate proportions and subtle value transitions to create form.

  4. step 04

    Develop the details of the clothing, using slightly thicker paint and visible brushstrokes to add texture.

  5. step 05

    Work on the background, blending colors softly to create depth and atmosphere.

  6. step 06

    Add highlights and details to the face and hands to create focal points.

  7. step 07

    Glaze thin layers of color to unify the painting and adjust the overall color harmony.

  8. step 08

    Add final details and adjust values as needed to complete the portrait.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix raw umber and white for the skin tones, adding small amounts of burnt sienna for warmth and ultramarine blue for cool shadows. Use yellow ochre and raw umber for the suit, adjusting the proportions to create variations in tone.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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