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home·artworks·Portrait of Bindo Altoviti
Portrait of Bindo Altoviti by Raphael

plate no. 0244

Portrait of Bindo Altoviti

Raphael, 1515

oil, canvasHigh Renaissanceportraitportraitfiguremanclothinghairhat
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering soft drapery. It also provides practice in creating a sense of depth through value changes and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure, hat, and main features.

  2. step 02

    Block in the background with a thin layer of green, paying attention to value variations.

  3. step 03

    Establish the basic skin tones using a limited palette of earth tones, white, and red.

  4. step 04

    Start building up the form of the face with layers of thin paint, focusing on highlights and shadows.

  5. step 05

    Work on the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Paint the clothing, paying attention to the folds and drapery.

  7. step 07

    Refine the details, such as the eyes, lips, and jewelry.

  8. step 08

    Add final glazes to unify the painting and create a sense of depth.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · ultramarine blue

Skin tones are achieved by mixing white, red, and small amounts of yellow ochre and raw umber. The green background is a mix of viridian, yellow ochre, and white. Dark areas use ivory black and raw umber.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Chiaroscuro
  • ·Portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overmixing the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth and form.
  • →Ignoring the subtle value changes in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, viridian, yellow ochre, ultramarine blue)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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oil painting for beginners →how to learn by studying the masters →
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