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home·artworks·Portrait of Baccio Bandinelli
Portrait of Baccio Bandinelli by Andrea del Sarto

plate no. 7725

Portrait of Baccio Bandinelli

Andrea del Sarto

oil, canvasHigh Renaissanceportraitfigureportraitclothinghatmaleface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and rendering realistic skin tones. It also provides practice in creating a sense of depth and form using light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and blending carefully.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and shadows.

  5. step 05

    Work on the hat, capturing its shape and texture.

  6. step 06

    Refine the facial features, focusing on capturing the likeness of the subject.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ivory black · yellow ochre · red ochre

Mix various shades of brown and beige by combining raw umber, burnt sienna, and titanium white. Use small amounts of black to deepen shadows. Add yellow ochre and red ochre for subtle warmth in the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the paint and losing the freshness of the brushstrokes.
  • →Failing to capture the correct proportions of the figure.
  • →Using too much contrast, resulting in a harsh and unnatural look.
  • →Neglecting the subtle tonal variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, titanium white, burnt sienna, ivory black, yellow ochre, red ochre)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in process.

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oil painting for beginners →how to learn by studying the masters →
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