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home·artworks·Portrait of Augustus Leopold Egg
Portrait of Augustus Leopold Egg by Richard Dadd

plate no. 1888

Portrait of Augustus Leopold Egg

Richard Dadd, 1840

oilRomanticismportraitportraitfigurehatclothingdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with loose brushstrokes. It also provides practice in creating depth and atmosphere through value control and limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and clothing.

  2. step 02

    Establish the overall value structure by blocking in the dark background and shadows on the figure.

  3. step 03

    Begin layering in the mid-tones and highlights on the face, hat, and clothing, focusing on the planes of the forms.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in skin tone and the direction of light.

  5. step 05

    Add details to the clothing and accessories, such as the collar and sash, using thicker paint and bolder brushstrokes.

  6. step 06

    Soften edges and blend areas where necessary to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and details to the eyes and other focal points.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, value, or color.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna to add warmth to the skin tones and clothing.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by overmixing
  • →Ignoring the underlying value structure
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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