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home·artworks·Portrait of Ary Prins
Portrait of Ary Prins by Raden Saleh

plate no. 7008

Portrait of Ary Prins

Raden Saleh, 1838

oilRomanticismportraitportraitfiguremanclothingbookformal wear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hand.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up the color and texture.

  3. step 03

    Block in the main shapes of the clothing, using dark values for the coat and lighter values for the shirt and collar.

  4. step 04

    Begin to refine the facial features, focusing on the eyes, nose, and mouth. Use subtle color variations to create depth and form.

  5. step 05

    Add details to the clothing, such as the buttons, collar, and folds in the fabric.

  6. step 06

    Paint the hand and the book, paying attention to the light and shadow on the surfaces.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a cohesive and balanced image.

  8. step 08

    Add final details, such as highlights in the eyes and subtle textures in the clothing.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre

Mix ivory black and raw umber for the dark tones of the coat and background. Use titanium white with a touch of yellow ochre and cadmium red light for the skin tones. Mix burnt sienna and raw umber for the book.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve flow.

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